TEARS IN ASS

The Choreography is built on areas of tension and not on visual criteria. It started with these questions:  What happens with high tension? Relaxation  and floating? What is happening in between the feelings of tension? What is stress?

Let’s take tension as a material substance. Is it possible that different forms of existence are made of the same material? Like a vibration that is impossible to  perceive (e.g. infrasound and ultrasound, infrared...). Dynamic frequencies are the key if we decide to recognize movement, if we let our brain accept this.
This is not an arbitrary action, but a useful utopia. This utopia helps to understand the fact that the present mathematic systems and scientific theories are no direct reality, but instruments to fulfill a specific purpose.
The choreography  deals with the lines of tension - our most original perception.
Substituting from the unforeseen and take the deeds not as the result of reflected thoughts - or as a cause of clarifying order, then we are in the field of tension that set us apart with dynamics and frequency.

CONCEPT + CHOREOGRAPHY Juschka Weigel
DANCE Wayne Scott + Juschka Weigel
MUSIC Daniel Regenberg
PRODUCTION InThisSection – juschkaWeigel
DURATION 10 min

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NÄCHSTE PERFORMANCES (2010)

>>>FREQUENCY - I :: 23.09.2010 :: 20:00 :: NULTY BOD FESTIVAL '10 (PRAGUE)

>>>UNGEMEIN 1+2+3 remembered :: 1.10.2010 :: 21:00 :: TNT FESTIVAL (TERRASSA)

>>>TEARS IN ASS :: PREMIÈRE :: 2.10.2010 :: 18:50 :: TNT FESTIVAL (TERRASSA)

>>>TEARS IN ASS (SOLO VERSION) :: 26.11.2010 :: TEATRO ENSALLE (VIGO)

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